Wednesday, May 27, 2015

Kanda Bongo Man's "Muchana": The Makings of a Classic

Yesterday (May 26th) evening, as I drove and listened to Nairobi's Classic 105, Larry Asego, the 'DJ' of the hour, played Kanda Bongo Man's single titled Muchana, which was released as a video in 2012, if my source is correct. It brought back many memories of what Kanda Bongo Man means to a certain generation of us. A caller endorsed Asego's comment that if one wasn't moved by the guitarist's solo moment in Muchana, then one needed to have the ears checked. I silently concurred, behind the wheel.

That radio-play has prompted the lines that follow.

Kanda is a much-adulated Congolese/Zairean musician in large swathes of East Africa -- Kenya, Uganda and Tanzania. He is particularly fondly regarded as a versatile singer with awesome dance routines by those who came of age (I won't define coming-of-age) in the Seventies and Eighties. But his reputation began to fade, at first imperceptibly, with the coming of the video -- and then, specifically, video music. It's a fate that has befallen most of his great compatriots, certainly in the countries I have mentioned.

It can be said in retrospect that Congolese musicians of Kanda's age, and those who shone earlier than he did and probably served, at least  remotely, as his sounding-boards -- titans such as Franco (a.k.a. Luambo Luanzo Makiadi), Tabu Ley (Rochereau), Bozi Boziana (with his lovely troupe), Pepe Kalle (with his two 'faces' -- here's the other), Papa Wemba; and the leading divas: Mbilia Bel and Tshala Muana -- were tutored on audio recording and live performance, on some sort of stage that was invariably set on minimalist principles. Kanda was something of an exception, to be sure, with his stylish (to the older ones perhaps rebellious and precocious) dress-code. In general, one can say that older Congolese musicians were never -- or, more accurately, never became -- adept at the nuances of show which video music came increasingly to demand of the lead singer and the instrumentalist and the bit players.

With the video, a fusion of sight and sound rather quickly became the defining feature of popular music -- the very genre (let's call it Lingala Pop) which the Congolese certainly assumed their fans would forever associate them with. Sight required a choreography of colorfully dressed and agile bodies -- bodies dressed more modishly, if not more minimally as well, than in the not so distant heyday of Congolese music, when Lingala and music meant the same thing.

Kanda could be most of that, and indeed was (to some still is) something of a Johnny-come-lately dandy. So was/is the irrepressible Awilo Longomba, and some of the younger artistes. But many veterans began quickly to look like veterans in fading garbs -- and to lose their appeal and fans across the region.

But even for impresarios like Kanda, the fact that the musician (at one with his/her band) was not the master of all his/her set, or stage, or 'production' became more and more obvious with the rapid evolution of the music video, incorporating the increased 'equalization' of audio and video components of the totality of a single, or an LP.

I am trying to say here that a good music video now requires (has indeed to some degree always required) for its artistic and commercial success a certain mix of things: the well-endowed if less glamorous contribution of the producer, the director, the set designer and the camera woman or man. In all of Africa, the Nigerian music industry -- representing a highly competitive market segment, energized by a huge consumer base, and lodged in a culture where 'theatrical performance' is deep-rooted -- has been the most successful in cracking this 'code', since circa 2013-2014. That is to say, it stands out as a country with the entrepreneurial and material resources, and audience-base, required to monetize it. Other countries will follow.

Earlier yesterday, I'd had a sort of interior monologue about what constitutes a classic, and how 'hits' morph into what we loosely or strictly call classics. In brief, we can say (it is widely known, for sure) that, in pop music, the hit that tops the chart(s) in the first week of the year is not necessarily the hit of the second week or the month, though it might be. The first month's hit is not necessarily going to be the hit the quarter or the half-year, but it just might be. The hit of the half-year may or may not be the hit of the year. One year's chart-topper is highly unlikely to be the next year's. Today's fans, for whom last year is by definition passe, just want to celebrate something newly 'dropped' -- something of this year -- which conveys a sense of temporal movement. 

But underlying this 'tradition of the new', this fixation on the 'here today, gone tomorrow' moment, is a deeper interest, as one grows older, in enduring 'likes' (that is, in what we have widely favored in the past and still like, and like to like still); in, as we say in Kiswahili, Zilipendwa (or Zilizopendwa). Likes we can grow with and pass on from our cohort to the one after us, and then from one generation to the next, on and on as time flies, are what we, all of us, come to know as classics.

Kanda Bongoman's Muchana is certainly on the way to becoming an African classic, of the audio kind. The visuals aren't so hot, as I have been suggesting, and could perhaps be tastefully remixed.

Take a Listen, then, to: Video of Kanda Bongoman's Muchana


'Kanda the Dandy' is hardly to be seen in Muchana. It's as though he wanted inexplicably but temporarily to appear here under the cover of drabness, in a visually drab video. The gals, though, are as fine and supple, as fine and supple as can be. As if to reclaim the sapeur tradition in which he was born, and of which he is obviously proud, he resurfaces, an all-in peacock with a surprising twist, in Sweet.


Sunday, April 12, 2015

Jihadism v. Objectivity: Contrasting Views on Recent Terrorist Attacks on Kenya

In last Friday's Daily Nation, Dr. Franceschi once again wrote a very distorted and patchy understanding of Kenya. In the particular article to which I refer here, what the reader encounters is a very partisan and angry (I have callet it Jihadist) view of Kenya's experience with terrorism. He offers a justification, not an analysis, of recent Al-Shabaab attacks on Kenya, including the mass murder on April 2 of some 148 (mostly young) Kenyans at Garissa University College. His sympathies are with the perpetrators of the horror, not with its victims. 

Alas, as at 10 pm (GMT+3) on this Sunday, my contribution to the conversation (which I sent over 8 hours ago to await editorial approval) has not been added to the online conversation invited by the Daily Nation. The Editor probably does not have as good a reason for not including it as I have for posting it on my blog. So here below it is, in full and as originally sent:


Franceschi is not diagnosing terrorism, which is what scholars are supposed to do. He is clumsily justifying it -- with patchy chronology, zero logic and near-zero dialectical thinking. As the current saying goes, the terrorists are right here among us. Franceschi has a knack for meeting them, and they for meeting him. He is empathetic to their way of seeing things, and hostile to the way the ordinary Kenyan reacts to Al-Shabaab massacres. He seems to ask Kenyans to accept the deaths perpetrated by terrorists as a necessary and unavoidable fact of life. 

We all know that Al-Shabaab are an extreme, pathological wing of Islam, and the great majority of Kenyan Muslims are just as horrified by its murderous orgies. I happen to think that most ordinary Muslims in Kenya are more terrified by extremists among them, than by Christians -- even in these hard times. I dare say that it is impossible in the circumstances for there to be a religious war in Kenya, pitting non-Muslim against Muslim. Those who think there might be are hallucinating. So terror can be confronted, robustly, without things getting out of hand. The fight against Mungiki did not lead to intra-ethnic war in Central Kenya.

In America, the habitual and disproportionate killing of black youths by white policemen sparks recurrent outrage, and the hastag #BlackLivesMatter is currently trending. Yet not all or even most white policemen are murderous racists. Everyone knows that, and so nobody worries that condemning or going after the murderers, "with firmness in the right and justice for all", will spark a racial war. 

In Kenya, whenever Al-Shabaab single out non-Muslims for cold-blooded murder, everyone -- Senator and Dean included -- rushes to ask us to 'chill', seeking to reassure us with little if any logic that religion is not the criterion for the killings. it's not religious at all, since in Somalia they do kill Muslims - you know. Franceschi and those who think like him want the victims to accept their fate, and roll with the deadly point-blank shots, and the families to not try to pinpoint who did the killing and why? Alternatively, they want us all to be like the VietNamese buffalo put in a trance (shorn of all reason and all sense) by means of quasi-religious chants prior to an impending butchery.

Franceshi's last three sentences are a veritable Jihadist call to arms, and couldn't have been written better by Ai-Shabaab themselves.


I don't know if Franceschi is the new face of Opus Dei at Strathmore. I don't know which country he comes from, or if he's still welcome there. I don't know where he was before he came here. I don't know why he is so obviously and so blatantly hostile to Kenya, and Kenyans. If Kenya is so bad, why is he here?


Thursday, April 02, 2015

Emergency Toolkit Lab (CSO 587) ~ Past Examination Papers (August 2003 to May 2013)

For the benefit of graduate students in Emergency Toolkit Lab, I have scanned fifteen end-of-semester examination papers in the course, covering the period from August 2003 to May 2013. These are only such papers as I had access to as course lecturer and, consequently, invigilator.

As I noted in a piece I wrote nearly a year ago (read it here), "Past Papers" is a powerful meme in student circles. One may add, indeed, that while most candidates have a mild to severe craving for these papers, no setter of examination questions can, literally speaking, live the life of such a one with equanimity -- that is, without the confusion all too readily taken for absentmindedness -- without a fistful of past papers. 

Not knowing what is already asked, one risks -- with successive settings -- asking questions that are already "known". In so doing, one not only abolishes in one clumsy swoop the suspense so emblematic of an examination room, but also makes it impossible for flashes of brilliance to show, dramatically, through. 

Questions (examination questions) must never be literally known in advance. And yet, and yet, too much suspense and anxiety and uncertainty is not conducive to healthy learning and, more pertinently here, optimal answering.

All that said, I wish to share the following past papers, which cover the period stated above: Click here 




Reference:

Yambo, Mauri (2014) Emergency Toolkit Laboratory (CSO 587): Introduction to the Course

Wednesday, March 25, 2015

Insurance in Traditional African Society: Thinking 'Aloud'


Mauri Yambo 
[Earlier version shared on September 30, 2014]

Introduction
As both concept and practice, insurance appears, at first glance, alien to everyday life in Africa – as much now as in a past that we believe we have amply covered in our schooled quests for knowledge. The fact that, unless there is regulatory/legal compulsion, Africans continue today to display limited enthusiasm for modern insurance products only adds to that negative impression. And yet first appearances are misleading and distorting to a considerable degree, in this particular case. Read more


Monday, March 23, 2015

Road to Goma: Haiku

Past Morendat, all
Thought turn'd, cleverly, to the
Unfinished journey.

Reply to Dr. Franceschi

 [Note: This is the full text of my reply to Dr. Franceschi's article, which appeared in the Daily Nation of last Friday, March 20, 2015. I am publishing it here because the newspaper has not published it online as at the time of posting it on my blog. Besides this note, the only change that I have made since I posted the original via Disqus is correcting Dr. Franceschi's name, which I had mis-spelt]

Several of the points that Dr. Franceschi makes deserve making, and it is important for the core issue that he has raised to be publicly debated. However, there are important reasons why "research", as he seems to define it, is not going on at the tempo and intensity that he, and we all, may wish it to. Delving into the reasons why will have to await another time. Suffice it to say that not all research is, or needs to be, "big bucks" activity -- or donor funded. After all, external donors have their (well known) preferences, and even favorites. And potential local donors cannot be counted on, since they are (too) engrossed in ethnically-tinged politics, as well as more grandiose (and outlandish) money-making schemes than they have already mastered.

What I really wanted to say is this: Dr. Franceschi is engaging in gross exaggeration of the facts as we know them. How many dons does he really know who are in two full-time jobs? My bet is -- really none. If he insists he does, and if they are employees of public universities, then it is his civic duty to report -- or name and shame -- them, because they are involved in an illegality. I simply don't know of any. More importantly, it is impossible to have two such full-time teaching jobs -- unless one of the jobs is a sinecure. Full-time means a minimum of an eight-hour per day obligation/availability (involving a range of activities) during the work-week. I don't know of any university with classes beyond 8.30 pm or 9 during the work-week. So "two full-time" is a definitional impossibility.


What is common, as I know, is  that an individual may hold a full-time job at one institution, and serve part-time at another, or even others. Alternatively, they may be on sabbatical leave from one, and 'temporarily' serving full-time at another. Though I have myself never engaged in such activity, let me say that without such individuals Strathmore University itself would probably have taken much longer than it has to get to where it in now. Nor would USIU have. These are, incidentally, the leading private universities in Kenya. They have both tapped massively into the scholastic reservoir of the University of Nairobi.

Thursday, March 19, 2015

Obliquity: Haiku

Lo! Low & lower
Hanging fruit of the valley.
Cold wind springs, clockwise.

Monday, March 16, 2015

"Sisi Jojo": A Comment

Sisi Jojo, a 'collabo' by CJ Mama and Dwana, is a music video released in 2015. It is a gift of micro-'set-pieces' and tropical sounds all fused into one. 

The visuals are varied but consistent with a nuanced mix of living color and vibrant African (Naija) culture. 

Though I once upon a (recent) time believed that the video degraded the music, I want to emphasize that the whole, as the saying goes, is greater than the parts in Sisi Jojo (as in much of the music that I come upon these days). It's all very moving and totally heart-warming. 

The audio is up-, up-, up-beat. The beat that unifies the audio and the visual ebbs and flows, as the subtle narrative unfolds and reveals itself. 

The whole thing is very danceable; dance, that is, without obligations, and as the spirit moves one to dance.

Upon seeing and hearing this piece, those in the diaspora will, I fear, become severely homesick.


Here, click to play the video -- & ji-enjoy >> Sisi Jojo 


Friday, March 13, 2015

Faber: Haiku

Making up things is
All he was good at. Dreams. Stone
Things. Arrows. Rainbows... 

Friday, March 06, 2015

Red Sunset: Haiku

Waiting for something.
Hour-glass filled, emptied, filled.
I saw the wind fall.

Sunday, March 01, 2015

Transcendent Eyes

Our eyes see both in the day and in the night, though they are blinded by the darkness there. But they see not when we sleep, when they all too often give way to a pair of transcendent eyes linked to a boundless cortex.


These know no boundaries between and within Time and Space (and even Dimension and Free Form), and fly free. No boundaries of past, present and future; of local and global and universal; of form and content; of yin and yang; of size and structure; of quantity and quality; of biology and technology; of thesis and antithesis; of mind and body; of thought and action; of cause and effect; of negator and negated; of motion and stasis; of light and sound and velocity; of gravity and weightlessness and free flight; of solid and liquid; of ontology and nothingness; of ‘this’ now and the Long Now; of chaos and cosmos.

Saturday, February 28, 2015

A Turn, Always

There's always a turn in the road -- indeed, many turns -- which you have never taken, and may long have been intrigued by. Take such a turn, and you will see: see things you've never seen, and which not even the Internet has an account of whatsoever, from your way of seeing. And not just see: feel. Have feelings that make you not simply the person you presently are, but the one you're becoming, truly.

I took such a ('left') turn today, and came upon many lovely homes that I'd never seen, in which people live that I don't know -- perhaps just don't know yet, or perhaps know but have not imagined live quietly here -- in a serene neighborhood which was suddenly new to me. 

Hardly a resident on the sidewalks, but a scatter of parked and parking cars -- arranged as the neighborhood and the city desire that visitors arrange them. Hardly any sight or sound of children behind the fencings, nor of their parents and minders. Not of their older siblings and cousins either. 

A sense, nevertheless, of an unstoppable digital migration. A sense that belying the laid back physical ambiance was a vigorous and dedicated electronic chatter all over the air.

Anonymous people, then; yet people I have probably seen elsewhere -- in the streets of downtown Iborian, in the suburban malls, in other 'elsewheres'. Or who have seen me drive by -- seen the car I drive (and which is my, truly my, wife's) driven by as frequently as they think they remember. 

People who may even remember my face from behind the wheel, or from many chance encounters in public places, shared venues. People you wouldn't want to call strangers, because you had this deep feeling that living in the same city somehow bonded you, the all of you, mysteriously and gladly, into a oneness; and that the bonding was the reason the city continued to be as it was -- and to evolve as it was.

But one guessed, alright, that today the residents were probably there, taking it easy near mid-day on a sun-shiny Saturday. Or if not, then, perhaps like me, they were mostly out -- the day being what it was, the time seeming proper: out to/from the supermarkets, out to/from the malls, out to/from the barbers and the "saloons" and the tailors and the petrol stations and all the places worth being at.

I was, thusly, 'left' to my own devices. I was on my "own O!" 

I soon came to a dead end, though, and did a U Turn at once disappointing and prepared for. The turn I'd taken didn't exit at the other end and so couldn't take me to a road I'd thought/hoped/ doubted it might -- the hope that had prompted me to take the turn in the first place, on this day.

I turned left, at the point I'd moments earlier turned left, and drove home.

Monday, February 23, 2015

Wordland: Haiku

So many phrases
That have not quite turned, for me.
Thunder, chasing light.

Sunday, February 22, 2015

BurKINANGOP: Haiku

Two place-mats for you.
Love, de wonder, stuns de eyes.
Sudd'n rains. Snow. Suchlike.

Fiesta: Haiku

To make you go fly.
Flipped, negative, shadows -- surf'n.
Under white billows.

Sunday, February 15, 2015

Emergency Toolkit Laboratory (CSO 587): Introduction to the Course

What is an emergency? It is any out of the ordinary event which threatens to do harm or actually does harm to human well-being, life and property; or to the natural environment. All disasters are emergencies, but not all emergencies are disasters. Disasters are catastrophic/traumatic, critical events which occur because we haven’t, didn't or couldn't do anything or enough to prevent, mitigate or respond to them. 

What does the term toolkit mean in the phrase emergency toolkit? A toolkit is more than one tool. It is a combination (collection, array or repertoire) of tools used to respond to or preempt or otherwise manage a critical event or an emergency. But, given the practical challenges typically faced in emergency situations, there will probably be frequent need for something bigger than a kit: a toolchest, or even a container.

In the present context, the term tool refers to a range of practical resources: technologies – hardware, software and orgware (and even spiritware) – systems, processes, methods, procedures ("How Tos"), templates, standards, indicators, questionnaires, checklists, guidelines, forms, formats, formulae, plans, blueprints, manuals, records, reports and references.

An Emergency Toolkit is therefore a basket of emergency management resources available for use by specialized staff and others involved in the various stages of an emergency: mitigation, preparedness, response and recovery.

We title this course Emergency Toolkit Laboratory because a lab is where you scrutinize, open up, dissect, dismantle, unpackage (= disassemble, take apart or unbundle in a controlled way), test, tinker with, experiment with and/or repackage (= re-assemble in a value-adding way) high-value resources. 

In this lab, therefore, we will try to:

(a)       catalogue and describe the tools that we can identify from our readings, discussions or experiences;
(b)       "un-package" available tools and critically evaluate them as a preamble to modifying them or re-packaging them, or coming up with better or entirely new ones; and 

(c)       following all that, put together various toolkits and specify their uses based on (or in relation to) certain emergency scenarios that we will develop, and cases that we will cite and interrogate.





Note:
1. Orgware = the organizational contexts and/or ownership claims attached to specific tools or technologies of interest.
2. Spiritware = The spiritual dimensions, preconditions and/or connotations that emergency actors of one kind or another may attach to certain technologies or their use thereof.
3. There are 11 graduate students in the January-April 2015 class.





Prof. Mauri Yambo, Department of Sociology, University of Nairobi

Friday, February 13, 2015

Drone/Predator: Haiku

Summer's wedding do.
Hawkeye glides and carpet bombes
The Tent with shadows.











Recrafted (Feb 13, 2015)

Sunday, February 08, 2015

Rainbow Valley: Haiku

All dem gud tins ant --
In heaven's selfie, yet O.
Lukadem, Lov, luk.

Sunday, February 01, 2015

Everything We Were: Haiku

Love's the reason. We
Were where ever we found us.
No end to things there.

Wednesday, January 28, 2015

Bird! Weather Crosser: Haiku

Troubadour, I sing.
All poetry be lyrics.
Across the weathers.










.

Done some re-framing of the initial blog-version

Sunday, January 25, 2015

All Them Stars in High Heaven: Haiku

A lakeside patjo.
Wait'n 2 catch the waiter's eye.
Two angels breezed by.

Sunday, January 18, 2015

Old Trader: Haiku

Day offers no rest.
All dust's in the stranger's shoes.
Night hints at old lights.

Love: Haiku

Love is for giving.
Love loves love, and hurts easy.
Love, torrential.

Inner Outer Spaces: Haiku

Holes to nowhere. Black
Empty mists of time, all told.
Vales in the thunder.

Thursday, January 08, 2015

Freedom Must Be Free

Freedom is always in danger.
Freedom must always be fought for.
Tyrants of all shades are Freedom’s enemies.

Freedom is never to be assumed.
Those who fear to say no
Are Freedom’s weakest link.


Freedom must everywhere be free.

Sunday, January 04, 2015

A Tomb in Heaven: Haiku

It rained a little tear,
Far from the known universe.
As Philae landed.

Line in the Sands: Haiku

Seasons do do pass.
No one crosses the border.
But is changed by it.

Thursday, January 01, 2015

A life, again, as here: Haiku

Time has many sides.
As fir'flies in the dark Ness.
As summer's d'sire.

Naked Wind: Haiku

Child's a little older.
The wind has no abode O.
Comes and goes at will.

Thursday, December 25, 2014

Rubio's Cuba

It's OK not to forget, and to remember. But M. Rubio has, it seems, a blinding ossessione. 

He'll not let anyone let Cuba go (or be). Nor will he let go of Cuba, and more specifically the aging folks who still run all the show in Havana -- after all these years. 

He must, after a fashion, destroy it. That one-dimensional country which lingers on in his mind (and yet which in so many eyes is much gone and in need of sympathy) which, he believes still, destroyed his (now much reconfigured) family and (wait!) his future.

Cuba must have no future he does not himself specifically, so to (hear him) speak, have a hand in and sanction. He who was so brutally denied one.

























NOTE: An earlier version of this piece has appeared on 

Friday, December 12, 2014

Is Giben: Haiku

Is giben Tumi!
All de kolor in de worl'.
Whorl, of de strum's eye.

Monday, November 24, 2014

Far Billows: Haiku

Not all that's fair's fa(i)r.
Poetry b the soul's math.
Wet road fox at 2.

Thursday, May 29, 2014

CSO 501: Contemporary Sociological Theory, Course Outline for May-August 2014 Semester


INTRODUCTION

This course is designed to deepen graduate (M.A.) students' understanding of basic sociological theories, and of new undercurrents. The course also seeks to increase their awareness of the relevance of theory to their specific fields of interest.  It emphasizes contemporary themes and macro-level dimensions of social reality. Given that students will have been exposed to a greater or lesser degree to the major sociological theories during their undergraduate years, the lecture-seminar format adopted for the course stresses close familiarity with a set of readings around carefully selected topics and themes. Experience suggests that undergraduate courses with a theory content have tended to dwell on the broad outlines of particular theories. In general, students have not been required to demonstrate detailed knowledge of specific texts, or the writings of particular authors. This is a shortcoming which this course will help to overcome.

Click here for: CSO 501 Contemporary Sociological Theory Course Outline

Fear & Courage

Be. Be not among the fearful.
Fear not anyone,
And not anything.
Be not the one always in retreat.

Think as you will many wild thoughts.

Query, all the intentions.
Arm yourself with Reason.
Do, then, what you must.
Be among the courageous.

And never, ever, be afraid. 

Monday, May 26, 2014

CSO 405: Sociology of Work and Industry, Course Outline for May-August 2014 Semester (Module II)

3


This course covers: concepts, definitions and categories related to the 'anchor' notions of work and industry; the industrialization process; a selection of pertinent theories and models of work and industrialization; industrial policy in the 21st century; labour market segmentation; selected themes in industrial psychology; and aspects of Kenya's labour law.


An extensive reading list and links to useful online resources are integral to the course outline.

Now go to The Course Outline  

Sunday, May 25, 2014

CSO 302: Qualitative Research Methods ~ Course Outline for May-August 2014 Semester (Regular and Module II Day & Evening Programmes)

COURSE OBJECTIVE:
To highlight the value-adding proposition of qualitative methods of social science research.
COURSE DESCRIPTION/CONTENT:
The subject-matter and historical context of qualitative research methods (QRM). The importance of qualitative methods to knowledge-generation, and understanding of the workings of diverse social forces operating in 21st century society. A selection of theoretical/methodological perspectives and debates integral to doing qualitative research, such as: ‘big data’ analytics, chronology v. dialectics, deductive-inductive-abductive reasoning, ethnomethodology, grounded theory, naturalistic observation v. participant observation, phenomenology, ontology, “rules of sociological method” and symbolic interactionism. Design, classification, and implementation of selected methods of data collection, which include: case study, comparative method, ethnography, predictive deduction, and triangulation. Qualitative data analysis methods or techniques – including comparative analysis, content analysis, hermeneutics, SWOT analysis, systematic review, and thick description – and criteria for matching them with the stated research needs and goals. Elements of proposal writing. All of these should yield insights into the systematic analysis, synthesis and reporting of actual research data. 1 Unit.

Course Outline: Click Here

Tuesday, May 06, 2014

Othello & Wambui

The mind is in all that
We say and do,
And see.

But is what Wambui
Says, and does,
All in Othello's mind? 

~~~~~~~~~~~~~~~~~~~~
A suggested read: The Merchant of Venice   

Saturday, April 26, 2014

Bote, in Horizon's Haze Fades: Haiku

Cรดte, littler. And lilt(s). 
Tail winds in 'er iv'ry sails.
To Zanj. Inde. Mars, p'raps.

Sunday, April 13, 2014

CSO 302 Qualitative Research Methods, Final Examination Papers, 21 December 2004 to 11 January 2014

To skip the text below and go straight to the examination papers, click here 

As is to be expected, the past papers included in the set I am providing in this blog post reflect the subject-matter of qualitative research methods taught under course code CSO 302 -- a third-year course at the University of Nairobi. The course underscores the contribution of qualitative methods to knowledge-generation, and to the deeper understanding of the social forces operating in 21st century society. 

We can trace the origins of qualitative methods back to the deep, millennia-long, past of human existence -- the ontological/ existential/proto-naturalistic past -- which preceded even the first stage in Auguste Comte's Law of Three Stages; that is, the "theological stage." Similarly, of course, we can trace the very roots of the natural (and social) sciences as we have come to know them back to that same past.

There is clearly a determination in the course to distinguish between methods of data collection and methods of data analysis, and to go for detail. And even though (a) similar methods often appear under a variety names; and, (b) similar names are or seem to be used, on occasion, interchangeably for both data collection and data analysis, you are challenged to spot the random disguises (under a), and to both extricate 'analysis' from 'collection' and articulate the paired differences (under b). 

All this puts a high premium on conceptual clarity and empirical example. Designing an efficient taxonomy of methods, which should proceed from such clarity and example(s), remains an ever-present challenge, which you are challenged to overcome any imaginative way you can, without 'brutally' violating Bateson's (1987: 284-287) classification principles embodied in his theory of logical types. 


Read More >>> Past Papers

Reminder: To access the CSO 302 examination papers, click here 

Thursday, April 10, 2014

CSO 589 Advanced Training Techniques, Past Examination Papers, 17 Aug 2000 to 28 Aug 2013

I have put together, via the link given below, a set of past papers in Advanced Training Techniques which covers the period August 17, 2000 to August 28, 2013. That's 13 years of teaching the course. Another examination is due next Wednesday, April 17th. Shall I say: "Ha! Ha! Ha!"?  No. Let me just wish you all the best, this examination season at the UoN.

To access the past papers, click here 

You may also wish to read this piece of mine on >> past papers